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Cytomic TheGlue v1.3.12 MacOSX Incl.Patched and Keygen-HEXWARS
The Glue is an analog modeled compressor plug-in based on The classic 80's British big console buss compressor with some additional features. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. It's quick and easy to use and has an uncluttered interface.
Additions over the original circuit include an ultra-fast attack time down to 0.01mS and a Range knob, which backs off the compression to give incredibly natural sounding attacks and also limit the maximum amount of compression applied. There is also external sidechain support and an adjustable sidechain highpass filter.
Accurate analog model of classic 80's British big console buss compressor
Range knob to naturally control the maximum compression applied
DSP coded using C++ and SSE2, Interface coded using the Juce framework (C++)
Cytomic TheDrop v1.0.16 MacOSX Incl. Patched and Keygen - HEXWARS
The Drop is an analog modeled resonant filter plug-in. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. There is a huge level of detail in the models, which gives them amazing drive and tone. As well as the detailed circuit models more efficient algorithms are included for situations where CPU considerations are more important than tone, but even these models are of the highest quality.
Enjoy some release from hexwars internals vault!
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U better get yourself a good Windows machine...
Boz Digital Labs Manic Compressor v1.0.2B MAC OSX-Kleen
Manic Compressor was designed from the beginning to be more than just a compressor. It was designed to unleash the power of parallel compression without requiring complex routing in your DAW.
Even with 6 different compressor modes and a comprehensive parallel routing setup, Manic Compressor uses an intuitive interface to get you way more power from your compressor than you’ve ever had before.
Maximum Parallel Power
Parallel compression is a key ingredient that has been used by top mixers for years, but up until now, it has always required complex routing and increased clutter in your mix project to be able to utilize it on every track. Many compressors have a mix knob for blending the compressed signal with the dry signal, but we have found that this just doesn’t give enough control to really make use of the extensive power of parallel compression.
With individual wet and dry faders, along with an intuitive yet powerful EQ section, it won’t take long to recognize how much you’ve been missing out on. After using Manic Compressor on our projects, we realized that we have been missing out on a whole new world that we didn’t even know existed with compression.
6 Different Compressors
Even with so many good compressors out there, we find that it’s cumbersome to switch back and forth between different compressors with different settings trying to find the exact match for your track. With Manic Compressor, you can quickly switch between 6 different compressors without having to match settings.
Because Manic Compressor was designed from the ground up to be used in parallel, we were able to make some compressor modes that really shine in parallel.
Built for Abuse
With Manic Compressor’s innovative parallel design and Loudness Relief, this compressor was built to be abused. Subtle compression is a thing of that past (unless you want it, of course). Manic Compressor lets you put your settings to maximum carnage and then ease it off with its unique Loudness Relief knob, which softens the compression artifacts even under super heavy load.
INSTALLATION
– Copy cracked AU or VST into your Plug-Ins folder
– Copy Presets folder 'Manic Compressor' into your Library>Application Support folder
Lindell ChannelX (All) OSX Plugins-0RGan1c
7X-500 FET compressor plugin
Pre
Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Transformer Balanced Input and Output
Analog Warmth and Non Linearities
Comp
Faithful hardware circuit emulation of the Lindell audio 7X-500 module
Mix control for parallel compression
3 step or continuous release time
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Adjustable stereo link
Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Passive Eq design with a hybrid opamp gain make up circuit
Analog warmth and non linearities
Mac
AudioUnits : 32 bits, 64 bits
VST3 : 32 bits, 64 bits
RTAS
Cytomic The Drop v1.0.6 WiN x86 x64 V.R-Based Patch
The Drop is an analog modeled resonant filter plug-in. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. There is a huge level of detail in the models, which gives them amazing drive and tone. As well as the detailed circuit models more efficient algorithms are included for situations where CPU considerations are more important than tone, but even these models are of the highest quality.
Feature Summary
Dual stereo resonant filter with a Highpass into Lowpass
Stereo and Mono processing with either 2 or 4 poles
Full frequency range and perfect resonance tracking without oversampling so there is no latency in processing
Huge amounts of resonance if you want and also 'Safe' button for DJ use where screaming self oscillation is not desired
One basic and one advanced LFO capable of audio rate stereo modulation
Two analog modelled AHR envelopes that double as envelope followers, one for the cutoff and one for amplitude
DSP coded using C++ and SSE2, Interface coded using the Juce framework (C++)
Cytomic uses the same circuit modelling techniques that are used in professional circuit simulation packages but optimised for real time use. The structure including all feedback loops and useful non-linearities of the original circuit has been preserved. The algorithm uses actual values for resistors, capacitors, diodes, transistors and other circuit components. The voltages and currents are solved in real time and match as closely as possible to the analog circuit in both the time and frequency domains.
Lindell Audio Plug-ins Pack WiN x64 x86 VST3 Patched
The Lindell ChannelX bundle is more than your typical bundle. While on one level it is a collection of three amazing Lindell plugins, the 7X-500 limiter, the PEX-500 EQ and the 6X-500 preamp, it also includes the ChannelX plugin shell which allows you to run all three plugins in a single insert and even change the order that they appear in the signal path. Start off with the 6X-500 preamp to add a bit of punch and color, then add some tasty vintage FET compression with the 7X-500 limiter and then dial in some sweetness with the Pultec inspired PEX-500 EQ.
Key features:
Pre
Faithful hardware circuit emulation of the Lindell Audio 6X-500 Module
Transformer Balanced Input and Output
Analog Warmth and Non Linearities
Comp
Faithful hardware circuit emulation of the Lindell audio 7X-500 module
Mix control for parallel compression
3 step or continuous release time
3 step ratio: 4:1, 12:1 and 100:1 (all in)
Adjustable stereo link
Faithful hardware circuit emulation of the Lindell audio PEX-500 module
Passive Eq design with a hybrid opamp gain make up circuit
Analog warmth and non linearities
Fabfilter Pro-C 2 x86 x64
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!
Everything you need
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.
Beautiful interface and optimized workflow
The fully redesigned interface in FabFilter Pro-C 2 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like.
Pro-C 2 Full Screen
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!
Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and PumpingNEW
Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringNEW
Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterNEW
Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processingNEW
Hold (up to 500 ms)NEW
Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)NEW
Super-fast attack times
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking placeNEW
Multiple interface sizes: Small, Medium and LargeNEW
Range setting, which limits the maximum applied gain changeNEW
Mix setting, which scales the gain change from 0% to 200%NEW
Full Screen mode, offering a large level display and side-chain EQ controllerNEW
Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standardsNEW
Retina support on OS X and High DPI support on WindowsNEW
GPU-powered graphics acceleration
Optional MIDI triggeringNEW
Supports common Pro Tools hardware control surfaces
Undo/redo and A/B comparison
Sample-accurate automation of all parameters
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit), as well as RTAS (32-bit only)